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Washington, illuminated by the light falling into the room, stands in uniform before the president of the Continental Congress, Thomas Mifflin, and the delegates, among whom is Thomas Jefferson. Behind Washington are his aides-de-camp, Col. Benjamin Walker and Col. David Humphreys, and spectators. The delegates and spectators direct their attention to Washington as he extends his right hand to return his commission. The empty chair draped in a cloak, suggestive of a throne covered with a king’s robe, symbolizes Washington’s act of retiring from his position of power.

General George Washington Resigning His Commission, painted between 1822 and 1824, was the last of the four paintings that John Trumbull created under his 1817 commission from the U.S. Congress. To depict accurately the figures in the painting, Trumbull copied miniatures he had painted previously, studied portraits by fellow artists, and contacted members of Congress for portraits of the delegates. He based the representation of George Washington on one of his own earlier portraits. Some figures not present at the actual event are shown, including James Madison and Martha Washington and her grandchildren, who appear in the gallery. Trumbull visited and sketched the room, the Senate Chamber of the State House, in 1822, but in creating the painting he altered some elements. The Chamber no longer contained the furnishings used at the time of Washington’s resignation. Rather than depict the newer furniture created for the room in 1796, Trumbull copied the chairs he had painted in Declaration of Independence; Washington’s larger chair differs from those in which the delegates are seated, which contributes to the suggestion of a throne. The painting was completed in April 1824, and Trumbull took it on tour during the rest of the year in Boston, Providence, Hartford, Albany, Philadelphia, and New York City.

General George Washington Resigning His Commission balances the first of Trumbull’s Rotunda paintings, Declaration of Independence. The two paintings are similar in composition, with figures seated and standing in the background. The central action in each is the presentation of papers: here, by Washington; in Declaration, by Thomas Jefferson. Both scenes take place in the chambers of a civilian legislature, and Trumbull’s use of similar chairs subtly reinforces the relationship between the two paintings. A smaller version of Washington Resigning that Trumbull completed in 1828 is part of the collection of Yale University Art Gallery.

Trumbull performed the first cleaning and restoration of his Rotunda paintings in 1828, applying wax to their backs to protect them from dampness and cleaning and re-varnishing their surfaces. Throughout the 19th and 20th centuries the painting was cleaned, restored, varnished, and relined. All of the Rotunda paintings were most recently cleaned in 2008.

John Trumbull was born in Lebanon, Connecticut, on June 6, 1756. His father, Jonathan Trumbull, was later Governor of Connecticut (1769–1784). John entered Harvard College in 1771 and graduated in 1773. He created numerous sketches of significant people and places, even during his service as an officer and General Washington’s aide-de-camp during the Revolutionary War. Resigning his commission as colonel in 1777, he painted for two years and then went to England, where he studied under renowned history painter Benjamin West and at the Royal Academy of Arts. In London, Paris, and New York City, he created scenes of the American Revolution and life portraits or sketches of many of the individuals who would appear in them. He also painted portraits of other notable persons and numerous religious scenes.

From 1794 to 1804, diplomatic postings in London interrupted his work, and his artistic skill suffered. However, he remained successful as a portrait painter, and exhibitions of his earlier canvases led to an 1817 commission for four large paintings to be placed in the Capitol Rotunda; these were installed in 1826, but he failed to secure a contract for additional Rotunda paintings. He returned to the religious subjects of his earlier career but fell on hard times. In 1831 he deeded many of his works to Yale College in exchange for a $1000.00 annuity. Trumbull died in New York City on November 10, 1843, and was interred beneath the art gallery at Yale that he designed. In 1867, his paintings and his remains were moved to the new art gallery (now Street Hall).